#55

um

“Earlier I said that practice is about permanence. By that I mean writing is a profound practice of showing up. Practice for self-expression. Practice for having our own lives. The permanence comes not in borrowing, but in learning and giving away what we have. By showing up to practice we transform ourselves. We become different people. We are writers, yes, but the point is not to be a writer. The point is to become more ourselves.

Writing is the practice toward the permanence of who we are: to stake our days into the earth with an image that only we can see, to love and value that vision, and to structure our lives so it can exist and grow. To write is to be here more. To write is to make an impact on ourselves so we can impact others. Not just to long for our lives but to live them; not just to live them but to re-vision them, draft after draft.” — na coluna de perguntas & respostas de Yanyi.

dois

"As Derrida (2001) reminds us in Archive Fever, archiving is never a neutral gesture — it is always shot through with impulses of conservation and destruction, by what one decides to remember and, inevitably, to forget. The archive, in this sense, is not merely a repository of the past, but a technology of power that projects possible futures.". — em What AI cannot archive: the vibration of absence and the salt of memory, de Renata Cavalcante.

três

este curta filipino de animação (com legenda em inglês), que é a primeira animação de duas pessoas ainda durante a faculdade, me deixou de queixo caído.

quatro

newsletter que adorei descobrir que existe: Garden Variety (em inglês), com quadrinhos, arte e escritos de ninguém menos que Jillian Tamaki, Lala Albert, Eleanor Davis e Ian Foster-Dimino. ainda não li todo o arquivo.

cinco

música nova de FKA twigs com Lil Yachty! ++ dias de chuvas infinitas outra vez, álbuns novos que estou separando pra ouvir na academia (ainda na luta pra ir mais do que uma vez na semana): I must be dreaming (2026), Alabama Shakes, Before the world blows (2026), Erykah Badu & The Alchemist, Tudo que eu tenho (2026), Teresa Cristina.

seis

costumo gostar muito de tudo que membrana escreve no mastodon, e fiquei bem feliz quando ela fez um blog em ptbr.

“según se destruye algo se construye algo“